Sergius (Golubtsov), bishop. Realistic and iconographic styles of Church art and their ontological evaluation. Part I

Publication of hegumen Andronicus (Trubachev)

Authors

  • Andronicus (Trubachev), hegumen Moscow Theological Academy

Keywords:

painting, iconography, abstract and realistic styles of art, ontology

Abstract

The present study aims to reveal the essence of the realistic first and then the iconographic trends individually. The A. briefly reviews the major milestones in their development. By comparing both directions, the author shows how each of them reveals the fullness of Christian truths, their depth and sublimity. The first part of the paper contains the preface, introduction and the first chapter. The A. concludes that the missing of abstract and realistic artistic techniques create and rich impression. This explains the allowance for the co-existence of both directions in art, which mutually complement each other.

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Author Biography

Andronicus (Trubachev), hegumen, Moscow Theological Academy

candidate of theology, assistant professor МThА

AndroniK-pavel@bk.ru

References

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Айналов Д. В. Эллинистические основы византийского искусства. СПб., 1900.

Чистович И. Древне-греческий мир и христианство в отношении к вопросу о бессмертии. СПб., 1891.

Трубецкой С. Н. Курс древней философии. Сергиев Посад - М., 1905.

Успенский Л. А. Иконоведение. Париж, 1907 (Рукопись).

Роден О. Искусство. СПб., 1914.

Лёви Э. Греческая скульптура. Пг. - М., 1915.

Кондаков Н. П. Иконография Богоматери. В 2 т. СПб., 1914.

Фармаковский Б. В. Художественный идеал демократических Афин. Пг., 1918.

Published

2016-08-15

How to Cite

(1)
Trubachev А. Sergius (Golubtsov), Bishop. Realistic and Iconographic Styles of Church Art and Their Ontological Evaluation. Part I: Publication of Hegumen Andronicus (Trubachev). БВ 2016, 454-478.

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