Interpretations of the Old Testament Plot ‘David's Victory over the Goliath‘ in Italian Decorative Painting of XVth Century

Authors

  • Piven, Marina. G. Московская духовная академия

DOI:

https://doi.org/10.31802/2658-5111-2020-1-2-9-23

Keywords:

images of young David, iconography of the Old Testament plots, visualization of biblical motifs in art, domestic Renaissance art of Italy, Quattrocento decorative painting

Abstract

The essay deals to the interpretations of Old Testament plot “the young David's victory over Goliath” (First Book of Kingdoms) in Italian domestic paintings of XVth century. The author focuses on narratives compositions, made by Pezellino, Giovanni di Ser Giovanni (Scheggia) and Andrea del Castano. The pictorial images are considered in the context of cultural tendencies and ideals of the Renaissance, as well as in the context of a parallel developing tradition of representing the biblical hero in the statuary plastic. The article pays attention to the sources of iconography in decorative paintings — medieval book miniatures, works of decorative art of Byzantium, as well as textual sources, that determined semantic reading of the image (in particular, the Psalter). In decorative paintings the iconographic types, established in miniature, were adapted to the format of a larger multi-figure painting.

 

Downloads

Download data is not yet available.

References

Ames- Lewis F. Francesco Pesellino's «Story of David» panels in the National Gallery // Biuletyn historii sztuki. 2000. Vol. 62. P. 189-203.

Barolsky P. The Significant Form of Castagnos ‘s «David» // Notes in the History of Art. 1989. Vol. 8. № 2. P. 19-20.

Blake McHam S. Donatello's Bronze «David» and «Judith» as Metaphors of Medici Rule in Florence // The Art Bulletin. 2001. Vol. 83. № 1. P. 32-47.

Butterfield A. New Evidence for the Iconography of David in Quattrocento Florence // I Tatti Studies in the Italian Renaissance. 1995. Vol. 6. P. 115-133.

Cutler A., Oikonomides N. An Imperial Byzantine Casket and Its Fate at a Humanist's Hands // The Art Bulletin. 1988. Vol. 70. № 1. P. 77-87.

Dunlop A. Parading David // Art History. 2012. Vol. 35. № 4. P. 682-701.

Freedman L. Mercury a la David in Italian Renaissance Art // Annali della Scuola Normale Superiore di Pisa. Classe di Lettere e Filosofia. 2011. Vol. 3. № 1. P. 135-157, 281-284.

Haitovsky D. The Sources of the Young David by Andrea del Castagno // Mitteilungen des Kunsthistorischen Institutes in Florenz. 1985. Bd. 29. № 1. S. 174-182.

Leader R. E. The David Plates Revisited: Transforming the Secular in Early Byzantium // The Art Bulletin. 2000. Vol. 82. № 3. P. 407-427.

Olszewski E. J. Prophecy and Prolepsis in Donatello's Marble «David» // Artibus et Historiae. 1997. Vol. 18. № 36. P. 63-79.

Virtu d'Amore. Pittura nuziale nel quattrocento fiorentino. Exh. cat. Florence: Giunti, 2010.

Wong G. T. K. A Farewell to Arms: Goliath's Death as Rhetoric Against Faith in Arms // Bulletin for Biblical Research. 2013. Vol. 23. № 1. P. 43-55.

Published

2020-06-15

How to Cite

Piven М. Г. . (2020). Interpretations of the Old Testament Plot ‘David’s Victory over the Goliath‘ in Italian Decorative Painting of XVth Century. Church Art and Archaeology Review, (1 (2), 9–23. https://doi.org/10.31802/2658-5111-2020-1-2-9-23

Issue

Section

Живопись и графика

Categories