The «Znamenny Life» as a Condtion for Learning the Orthodox Chant

Abstract

The study of Archpriest Boris Nikolaev «The Znamenny Chant and Hooked Notation
as the Basis of Russian Orthodox Church Singing», published in Russia in 1995, presents not only
scientific but also practical interest. The range of issues raised in the monograph goes beyond the
stated topic, covering many aspects of liturgy, including the study methodology. In the attempt to
comprehend the essence of the church chant, Archpriest B. Nikolaev suggests turning to the «musical

philosophy» of the entire corps of ancient chants, and proposes, as the main method of scientific
research, to proceed from the theological nature of church service, without confining the study
to musical-theoretical or historical-archaeological disciplines. The problem of understanding the
profound meaning of liturgical singing is an urgent one for the modern society, and according to
according to Archpriest Boris Nikolaev it may find its resolution only through the personal moral
development of each society member. Meanwhile the very appeal to the ancient chants contributes
to the spiritual purification and transformation.